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In April 1632 King Charles I (1600-49) succeeded in attracting Van Dyck, in demand as a painter of religious and mythological pictures as well as of portraits in Antwerp, to London. In July of that year the artist, now Principal Painter in Ordinary to their Majesties, was knighted at St James's. From that tiing traditional themes of royal panegyring and queen on the scale of life, having rendered the work of his predecessors at court old-fashioned. In a series of huge canvases strategically placed at the end of great galleries in the king's various residences, he displayed the power and splendour of the British monarchy and of the early Stuart dynasty, modernising traditional themes of royal panegyric. Charles I of England and Henrietta of France
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